Writing the Past in the Present

How do you go about create a realistic historical background for your novel? How much research should you do … and when do you stop? Do you have your characters reflect the tastes, mores and attitudes of past eras even if they are not acceptable today?

These are the kinds of questions we discuss on the new episode of We’d Like a Word with authors Alec Marsh (Rule Britannia) and Eoin McNamee (The Blue Tango and many more).

We’d Like A Word is available on iTunes, Spotify, Anchor, Google Pods and almost any place that good podcasts are hosted (or just click here).

This is the last episode of 2019. Paul and Stevyn wish you all a very merry Christmas and a hopeful and peaceful New Year. There are some great guests to come in 2020 …

Paul Waters, Alec Marsh and Stevyn Colgan
Eoin McNamee

Among the books mentioned on this episode …

Borders and Boundaries

On this all new episode of We’d Like A Word, we talk borders and boundaries with two authors whose work deals with separation.

Asia Mackay

Asia Mackay is the author of the highly acclaimed and witty spy thriller Killing it and its recently published sequel, The Nursery. It tells the story of Lex Tyler – covert operative, assassin … and mother. As the cover blurb says, ‘Bad guys can wait. Bedtime can’t.’ Asia tells us all about the genesis of the character and how she maintains the boundaries between being a mum and being an author while her heroine struggles not to blur her work and home life too. We also talk about real life female spies, the ‘Sexy Lamp Test’ and other measures authors can use to make sure that their work has the right balance of male and female characters.

Brian McGilloway

We then turn to Brian McGilloway, New York Times bestselling author of the DS Lucy Black thrillers and Inspector Devlin mysteries. Many of his books are set on or near the border between Northern Ireland and the Republic and he is fascinated by the lives of the people who live there. He is also a working teacher and has to find ways to keep his writing – which can be quite violent and visceral – separate from the rest of his life. As someone who is in a position to inspire young minds and the next generation of writers, how does he balance the two sides?

It’s a fascinating episode with two great writers and we hope you enjoy it.

Books mentioned are:

The Sexy Lamp Test

The Bechdel Test

The Mako Mori Test

The Furiosa Test